Conversation Hearts
With Valentine’s Day coming, and shapes on my agenda, I’ve been playing with the heart symbol, an ideograph that’s—endearingly—an anatomically inaccurate shape.
You’re probably familiar with conversation hearts, those little candies imprinted with messages—BE MINE, KISS ME, FOR EVER. I’m using my blog as an art journal today to capture a different conversation, one my heart and mind had, shining light on today’s CutUp, taking note of what worked and what didn’t.
YES:
• the spontaneity of the colors and linework on the hearts; I totally loved painting the source material six months ago
• the color palette
• the texture
• the free-flow of the linework and the contrast it provides
• the variation in size, shape, and directionality of the collaged hearts
• the inclusion of circles as contrast to the heart shapes
• the variation of size in the two sets of circles
• the way three circles are aligned with each other and three are scattered
• the way two hearts bleed off edges of the card, several points kiss edges, two hearts kiss each other, and others float freely
• the unexpected disruption of a right-angled piece ‘missing’ from the edge of the largest heart
• the asymmetries of the arrangement of the collage pieces
• the amount of quiet space
• the subtle white-on-white asemic writing on the substrate
• the thickness of the collage pieces which provides depth and allows for subtle shadows
• the fact that the composition feels close to but not entirely ‘balanced’
NOT SO MUCH:
• the uniformly clean sharp edges of the collage pieces, i.e. no torn soft edges for contrast
• the orientation of the heart at the top right—a little too straight up and down
• the severe rectilinearity of the piece missing from the largest heart
Wow. Helpful conversation. I feel inspired and informed as I head into my next CutUp.

3.5 x 5″; acrylic, ink, and collage on card stock
CutUp
2024
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