tonight, grief is the canned soup section of the grocery store. she is happy to be out of the cold, happy for good lighting and even footing, but when she notices a can of progresso minestrone on the shelf she trips on an unexpected patch of loss, her eyes filling with the quick prick of tears even as she smiles, seeing, as she does in her heart, her father, in his nineties, a widower for several years, navigating the grocery aisle with his slightly uneven gait, his purposefulness, his underlying self-sufficiency and equanimity as he deliberates his soup choice.
he’s now gone, four years gone. who, she wonders, now buys the canned minestrone at the bethel foodliner? whose daughters now wait for their father’s nightly email message, with its enumeration of the day’s tasks and dinner details? this daughter, the one who’s just stumbled, resumes walking, steps intothe kitchen of her mind, heats minestrone on the stove, spoons it into her mouth, feels the proprietary blend of love, loss, laughter and gratitude fill her belly and nourish her, feels its warmth radiate outward in all directions, feels her father lean in to smell the sun in her hair.
—dotty seiter
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The Friend Who Knits Colorful Mohair Beanies for the Church Fair 4.25 x 4.5″; acrylic, ink, watercolor pencil, water-soluble pastel, and collage on paper Let’s Face It With Friends series 2025
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Notes about poem and art: • “december 6” is a free-verse poem from the heart. I continue to read and study Kooser’s Wiinter Morning Walks daily. I’m eager to read more of his collections. So much to learn; so exciting to anticipate the learning! • I started The Friend Who Knits with a scrap of paper sporting an existing chaos layer, whitewashed it with gesso, added print and tissue paper collage, and scribbled some asemic writing before I lost track of taking process photos!
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8 responses to “The Grocery Store and the Church Fair”
Carol, thanks for your warm feedback. That moment of stumbling into grief, which includes so much love, was profound with the fullness of life. I was grateful to have Ted Kooser’s model of stepping into metaphor to express the flash of feelings : )
So sweet that you remember all the postcards I sent to my dad.
I enjoyed the process of creating the friend that knits beanies.
Ahhhh….isn’t it wonderful when something as simple as a can of soup can bring you so close to your father. What a beautiful poem Dotty! It really pulled at my heartstrings.
And the Friend Who Knits….is just fabulous! And I love seeing a bit of the process of how she came to be. Yay!
MaryAnn, it IS wonderful when something as simple as a can of Progresso soup can spark such sweet closeness. Part of the wonder is at the number of times I have walked down the soup aisle in a grocery store in the past 4+ years since my father died as well as since writing this poem withOUT that flash of grief, flash of love, flash of connection. Thank you for letting me know my poem pulled at your heartstrings.
Wish I’d remembered to take more process shots when creating the Friend Who Knits. It was an intuitive organic process—fun!
THIS! The poem touched me deeply – soup choices and dads, loss, grief and where the emotions can suddenly overwhelm, seemingly out of the blue. And here you are, so beautifully conveying this moment AND THEN there is this cheery knitting beanie lady who makes everything feel so much better! Brilliant. xoxoxo
Lola, thank you for seeing this post as a whole, with its flash of grief and its happy hands knitting cheery beanies!
I was just in a grocery store a few minutes ago and made a point of letting my eyes seek out the Progresso soups section; easily found, but tonight—a night very similar to that of December 6, again with biting wind outdoors—the Progresso soups were just soups, product on the shelves, tin cans, labels. There’s no telling!
Oh, Dotty. This is so wonderful. Lovely memories. Lovely thoughts, and feelings. And so wonderfully written. I’m so emotional, after reading your words today.
I recently, suddenly realized that it has been 6 years since my father’s passing. How can that be? I suppose that is part of why your poem had such an effect on me. I am reminded of Audrey Hepburn’s line In Always. “Time’s funny stuff, Pete. A lot funnier than Einstein ever figured out.” Time is funny stuff all right.
I Love your brilliant, blushing friend! She looks so happy and fun to be around. I can’t help but smile at her magenta magnificence!
Sheila, thanks so much for your tender comments. It’s coming up on five years since my father’s death—your allusion to “Time’s funny stuff, Pete. A lot funnier than Einstein ever figured out” is so apt, and poignant. Thank you.
My “brilliant, blushing friend” lifts my spirits—she does look “fun to be around” : )
dessert for the poet as she walksrue saint-denis in montréal is a mamie clafoutisoh mon dieucroissant, a classic flaky buttery french pastry filled with a substantial core of rich chocolate ganache, drizzled with dark chocolate and dusted with confectioner’s sugar.
dessert for the poet as she listens to an audio novel while she walks her own massachusetts neighborhood is the italian word fermata, a word new to her that might never have caught her ear had she not had a nearly finished draft of a poem awaiting final tweaks for which fermata becomes its oh mon dieu croissant!
—dotty seiter
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GUEST ART!
She Used Her Words to Fully Inhabit the ART Lola Jovan
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Notes about poem and art: My poem and Lola’s art above offer a partial view of Question Exchange Part 4 of our five-part collaboration. Take yourself to Lola’s blog for the details and the question prompts behind today’s post AND to be dazzled once again by her expressive art and the symbiosis of her art and writing. Her painting, “She Used Her Words to Fully Inhabit the ART,” and her accompanying commentary really resonated with me.
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8 responses to “Question Exchange with Fellow Creative, Part 4”
Ha! Yeah, that Montréal croissant was something! Back in the day before my Celiac diagnosis and before my practicing a low carb approach to food : )
Writing poetry at this point in my life has changed my day-to-day living in magnificent ways. I appreciate your appreciation of what is showing up, Carol. Thank you!
MaryAnn, yup!, mostly delicious and quite often decadent! Lola’s question evoked considerable freewriting, and eventually narrowed itself down in ways I wouldn’t have anticipated to become this little poem.
I am so grateful for the Monk’s Walk for Peace and its powerful ability to lift me and and wash peace over me. I do wonder: do they get blisters??! I took a prolonged walk on Christmas Eve in Boston with Dave and our son and daughter-in-law, and I returned home with huge blisters at the base of the big toe on both feet. Big ouch!
Where oh where can I get one of those croissants? YUM! The deliciousness of your poem, the incredible direction you’ve walked with these questions, the FUN I am having in creating images to answer your questions – YES YES YES!
And monks. The antidote to woe. I am a HUGE fan. xo
Montréal! That’s where I got my croissant. It is literally called an Oh Mon Dieu, and I literally said Oh Mon Dieu after I tasted it. And now I say Oh Mon Dieu am I ever glad I got to experience that croissant before I was diagnosed with Celiac! Now I have poetry and art for dessert, so all is more than well.
Thank you for the surprise theme accompanying your question prompts! Oh the places those themed questions have walked me to! Not to mention the unexpected delight of your responding to my questions with art. When Wonder Mike drew my name from the hat for a turn at a question exchange, I had no idea of the wild ride we’d be taking!
Sheila, thanks for your appreciation of Lola’s and my combo platter of poetry and graphic art, and your appetite for more! We’ve got one more combo platter coming!
a mid-autumn morning’s waking begins, this mid-autumn morning’s waking, today’s waking.
before she moves at all before auto-pilot kicks in with its robotic mindlessness before reflexively jumping into go go go, instead, today, she chooses wakeful stillness first. here i am, she notices from within and offers a silent prayer: slow. deep. quiet. in everything i do.
instead of grinding the gears of the machine of routine in such a way as to be done before she even knows she’s awake she invites herself to open to each movement in its fullness. she slips from under the warmth of the covers, arranges their softness to surround her husband, drops her pillow on the bedside hitchcock chair, hears its gentle thunk.
to wake today is to praise the hush in which she dresses in the near dark, only the bathroom nightlight to offer faint illumination. to wake today is to praise the clothing draped on the reading chair last night before sleep. now, mostly through touch and sound, the testing of balance as she stands, stepping one leg then the other into panties and then into fleece leggings, the slight textured friction of socks (new! wool!) as she adjusts heel of sock to heel of foot, shelf-bra tank top and ribbed henley shirt pulled on over her head one after the other with little sparks of static electricity, the sound of her hoodie zipper sliding up its tracks, the cozy cocoon of her puff vest, all capturing her body heat.
to wake today is to praise her husband’s presence and their inner awareness of each other, he still in his snug nest, he still with eye mask on, she in a handshake with a new day.
she pushes her feet into her shoes puts on her glasses shuts the eyeglasses case, muffling the sound of its hinges’ wanting to snap the lid in place, opens the bedroom door with a tiny click of the latch and a creak from its upper hinge, walks into her study there to praise her hearing devices, with the blinking of their tiny green lights and the subtle short tune in each ear indicating recharged! ready!, her phone also recharged and ready. she pivots back to the bedroom to flip the wall switch for soft light, the signal to her husband that it is his turn to join the recharged and ready.
to wake today is to praise her husband’s flinging back the covers— and he does fling!— and his waking-up noise-making, to praise tugging up the crumpled sheets together, pulling them taut, setting pillows in place— percale bluebirds upright on their branches, aligning the stripes of the duvet with the edge of the foot of the mattress. he heads to the bathroom to shave, she places a ted kooser book of poetry and her eye pillow on her side of the bed—a visual promise of midday meditation—and goes downstairs to bundle up for her first walk of the day.
chance to praise chance to praise chance to praise chance to open arms wide open arms wide open arms wide.
peace does not arrive and take up permanent residence, it is born moment by moment. waking today in this way, this slow deep quiet way, she lands in each moment. to land in each moment is to praise each ordinary motion as the small sacrament it is that celebrates her being alive.
—dotty seiter
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The Friend Who Knows the Answers to Etiquette Questions 4.5 x 7″; acrylic gesso, pastel pencil, and watercolor on book paper Let’s Face It With Friends series 2025
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Notes about poem and art: • “november 6” is a hymn of grateful praise. • Knows the Answers is the first new face I’ve painted since the September Zoom Class I took, and it is a painting whose process included knowing next to nothing! I found a random reference photo online, tore a page from an old copy of Little Women which I’d previously used as a painting journal while living for two months with my daughter in 2020, whitewashed the whole page with acrylic gesso, and sketched in a few guiding marks with pastel pencil. But I really didn’t know where to begin, and the sketch marks were barely visible. In the interim, I’d posted Kindergarten Dotty where my followers encouraged me to channel the 5-year-old child in myself, so that is what I did with this painting. Somehow I found kindergarten Dotty’s openness to just starting, to just getting paint on paper and then responding to it, again and again and again. The gift was that I got fully absorbed in the process and loved being there! Ta da!
First glad that computer is recharged and up and running!
What a beautiful description greeting the new day and all its intimacy. The use of repetition “to praise” brings this piece together and sets the emotional tone!
I especially loved this phrase “she in a handshake with a new day”.
Thanks for sharing a special part, and the most important part, of your day.
Love your portrait! Especially her dream look gaze! Love how the print shows through just enough to not take away from the portrait!
Carol, what a great way to start my day today (wake-up routine and first walk of the day already under my belt!) with your comments chock full of feedback—thank you!
I first started drafting this poem two months ago based on the actual experience of dialing way in to the lovely string of moments that make up my daily wake-up routines/rituals. Finding words and praise for those moments has informed my waking up every day since, and has helped me dial in more fully during other parts of my day, for all of which I am tremendously grateful.
I appreciate your specific feedback about the way the repetition of “to praise” both brings the piece together and sets the emotional tone. Also love your drawing attention to your especial enjoyment of the “handshake” phrase.
I join you in really liking how the print behind my painting shows through just enough to be seen but not to take away from the portrait.
And what a hymn it is! You had me at wakeful stillness and held me until your celebration of ordinary motion as sacrament. Wow!
This face DOES look like she knows all the answers to etiquette. I love your kindergarten openness to just starting…and to just keep going. She’s just lovely on the book page…by the way.
MaryAnn, thank you! Thank you for isolating wakeful stillness and ordinary motion as bookends that held the hymn for you—welcome input.
I’m with you: this friend just looks like she knows all the answers to etiquette, something I don’t think it would occur to anyone to say of me! You were one of the key players that opened my creative energy—through a comment you posted several weeks back—to just give this particular portrait a go, and I thank you! And painting on the book page very much appeals to me such that I think I’ll do other paintings that way.
oh you’ve gone and done it again! Moved me to happy tears, feeling the praise, the gratitude, the simple fulfillment of small things. What a beautiful poem. What a beautiful painting! I saw “Little Women” as soon as I opened the image! YES!
Thank you for sharing the moment of wakefulness here. I am deeply moved and so grateful for your words. xoxo
Lola, thank YOU for being such a robust and faithful cheerleader. You keep me recharged and ready for the ongoing gift of my creative life! The morning that inspired this poem had me paying attention and noticing and present in ways that are not standard operating procedure, and then writing with matching attention, noticing, and presence has led to ongoing attention, noticing, and presence each morning since for the past two months! Here’s to “the simple fulfillment of small things.”
All that, AND I had grand fun painting this Let’s Face It With Friends friend : )
I love this post, Dotty! The quiet of your morning. Stepping through your routine as an observant shadow. The joys of morning. The joys of home. The joys of marriage.
And your wonderful portrait. Her eyes. Her expression. The warmth of her skin.
Sheila! Thank you for these simply stated, direct, affirming reflections, for picking up on what you exquisitely refer to as the “observant shadow,” and the joys of morning, home, and marriage. Yes! Thank you for picking up on the eyes, expression, and skin warmth of my ‘friend’ in the portrait. Thank you for celebrating both kindergarten Dotty and current-day Dotty.