Dear Diary
I began keeping what I call a diary calendar in 1967 during my senior year of high school. My family had moved to London at a time that predated electronic communication. Countless tissue-thin light-blue aerogrammes traversed the Atlantic between me and my besties in the States.
So as to keep track of when I wrote and received letters, and from whom, and so as to keep track of the activities that had taken place since a previous letter, I began keeping a record of daily doings—with no inkling that I’d initiated a practice that would continue to this day!
My collection of diaries is an unbeatable resource for filling in details when, for example, my sisters and I might be reminiscing or when Dave, Meg, Scott, Jay, and I might be debating the details of a bit of family history.
My current scraps diary is a whole different kettle of fish. I am fascinated by the wordlessness of keeping a visual rather than verbal imprint of my days. I am nourished and stimulated both by the visual aspect of committing art to the tiny pages and by the act of using asemic writing to represent conscious thoughts each time I make an entry. What gives the appearance of writing offers just that—the appearance of writing—and does not in any conventional way serve as a record that can be read by others, or by me, for that matter.
For a gal who has been captivated by words and the meaning they represent—words spoken, heard, written, and read—all her livelong days, this riff on writing is often startling and breathtaking. I’m quite smitten.

2.5 x 8″; acrylic, ink, and collage on paper
abstract
2024


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