Coming to Life (3)

So for now

travel with me

on this journey

by train of thought.

Look out the window of your soul

and see for yourself

how the light strikes the ground—

from your particular vantage point,

at this now and that here.

I wish you a pleasant journey,

 a bon voyage,

a good seeing.

Polly Berends, Coming to Life

Before:

After:

Begin to Notice What Is Uppermost in Your Mind
3.5 x 5.5" postcard; acrylic, ink, and collage on cardstock
abstract
2020

Coming to Life (2)

The idea is 
to lose our life
to find it 
by losing our mind
to find it. 
For just this one moment,
live by and rely on the sufficiency
of the immediately available truth
as if you knew it was reliable.
That's when,
not before,
we feel this force beneath us.
We cannot feel its force
until we are relying on it utterly.

Polly Berrien Berends, Coming to Life


Before:

After:

God Is as Reliable as I Am Reliant
3.5 x 5.5" postcard; acrylic, ink, and collage on cardstock
abstract
2020

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Really had fun painting with collage here. The intuitive unfettered free-play exercised when creating the original sketch gave way to the satisfyingly focused detail-oriented color-matching and finishing I did just now, two years later. 

Coming to Life (1)

This is indeed the day

that the Lord hath made;

let us be glad 

and rejoice in it!

We have to start sometime.

Now!

We have to start somehow.

See!

We have to start somewhere.

Here!

Polly Berrien Berends, Coming to Life

Before:

After:

Holy Humdrum and Holy Hardship
3.5 x 5.5" postcard; acrylic, ink, and collage on cardstock
abstract
2020

Coming to Life: Prologue

Back in mid-August, I had an itch to generate another series of postcards. Truth to tell, it wasn't even fully an itch; it was more like a barely perceptible sensation that perhaps a stray hair had glanced across my skin and then blown away.

Nonetheless, I brought a hand to the sensation and gave it a quick light scratch.

You know how that goes!

Next thing I knew I was at my paper cutter with a painting exercise I'd done two summers ago.

Here's what had sat in a drawer for two years untouched:

August 2018 painting sketch
11 x 14"; acrylic and ink on card stock (calendar poster)

Here's what I have at hand now:

Scratch scratch scratch …