Saturday, July 19, 2025

Dotty Wassily Kandinsky, #3: Pencil and Pastel / July 7, 2025

 July 7, 2025

Dotty Wassily Kandinsky, #3: Pencil and Pastel

Looking Out the Family Room Window on My Way to Make Breakfast

you know
those hokey wooden-plaque
garden tchotchkes,
the ones painted with an image

of a woman’s
exaggerated fat bottom
broadside to the world

as she bends over
to pluck weeds
,
her bright blue bloomers

pocked with oversized
bright white polka dots?

this is not that.

this is betty,
upright, present,
at one with her perennial garden,

attractive with a fresh stylish haircut,
wearing crisp ecru bermuda shorts
and a lovely floral top in soft coral.


her back towards me,
sturdy cane in one hand,
garden hose in the other,
john gone two months now,

she embodies plainspoken elegance
in the early-hours dapple
of a sleeveless june morning.

i drink in the sight of her
from across the space
of the hip-to-hip back yards
that have linked us now

for 46 of her 91 years.

a steady spray flares and arcs
from her garden hose
turns light into dazzle,
alchemizes my heart
into vibrant kaleidoscopic chips
of uncomplicated joy.

just that.
just
all of that.


that’s what
this is.

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Weathered Stained Glass Bull’s Eye Medallions
8 x 8″; watercolor pencil, acrylic, and oil pastel on paper
concentric circles and squares after Wassily Kandinsky
2025

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Notes About Poem and Painting:
• I saw Betty as I walked through the family room, stood mesmerized for several minutes, then turned around and went right back upstairs to scribble a draft of “Looking Out.” Breakfast had to wait. I had to catch the emerging poem by the tail right then and there.
• I’m having fun channeling Kandinsky. In this piece, I used Stabilo woodies to pencil back-and-forth-and-up-and-down in empty squares; brushed the pencil markings with water; faded them back with several diluted washes of white, on top of which I stenciled white acrylic hatch marks. From there, freeplay with oil pastels softened by smudging, some blending of hues with woodies, and some roughing up with fingernail scribble-scratches.


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16 responses to “Dotty Wassily Kandinsky, #3: Pencil and Pastel”

  1. Your poem gives me goosebumps Dotty! I can picture her…and want to be her. And I love that this poem just poured out of you before breakfast.

    And this third Kandinsky is a kaleidoscope of uncomplicated joy. Thanks for adding all of this joy to my morning…all before breakfast!

    Like

    1. MaryAnn! clap! clap! clap! So happy you were able to picture betty … and want to BE her! So happy to spark so much joy, all before breakfast. Thank you for your kind words, your goosebumps : )

      Like

  2. Thanks for your poem and art! Such an inspiring way to start my day!


    1. Simone, thanks in return for affirming “such an inspiring way to start [your] day!” Don’t lose sight of the fact that you have been a primary inspiration for my newfound engagement with writing poetry : ) THANK YOU!

      Like

  3. Your poem brings joy, how strong life can be. Betty, vs a not so elegant me, almost 90, watering my vines,on my concrete block, to hide its ugly facade and purpose.

    So glad you caught the poem by its tail. Bet you had the bestest breakfast.

    Thanks for describing your process, now I have a great new exercise to try this afternoon.

    Liked by 1 person

  4. Carol, you are Betty also, elegantly watering your vines on your concrete block to elevate and transform “its ugly façade and purpose.” Thanks for letting me know that my description of process for today’s Kandinsky exercise gives you a great new exercise to try this afternoon. Yay! Would love to see : )

    Like

  5. whoa! This poem! The urgency to write it down – you are in some sort of super mad genius writer mode, friend! This blew me away! Dang!!!!

    and the scribbly Kandinsky is brilliant, perfection. This!!!!!!!

    Like

    1. LOL at your description—some sort of super mad genius writer mode—but that’s kinda how it feels. My daughter texted me back in May: “Damn, mom … were you only painting because you weren’t ready to write yet??” All of a sudden, poetry was yanking hard saying let’s get GOING, girl!, and so I did : ) The unexpected part was how the painting part of my creative life suddenly came awake in a major way also. Poetry and painting—the energy of each feeds the other. Lucky me!

      And I LOVE your echoing today’s poem with your closing comment, i.e. This!!!!!!!

      Thank you, Lola, dear friend.

      Like

      1. Your poems are paintings with words and your paintings are visual poems!

        Like

  6. Carol, whoa! Thank you for your kind and encouraging and happy-making words!

    Liked by 1 person

  7. Geez, Dotty…This poem paints a picture clear as anything. I can see Betty so fleshed out in my mind’s eye. I wonder, does she read your blog? I see a gracefulness and a stoicism in the way you write what you see.

    And your art piece? Frame for sure. Now you have a triptych. I opened it very wide and can make out and enjoy some of the texture lying under there. Brava! ♥️

    Like

    1. Roseanne, such valuable feedback—very helpful to hear you say this poem paints a clear picture that lets you see Betty so fleshed out in your mind’s eye. I’m intrigued by your commenting that you see “a gracefulness and a stoicism” in the way I write what I see. Tell me more! Could you give me an example of a word or phrase that exemplifies?

      Now I have a triptych! Thank you for reminding me!

      Thank you, thank you!

      Like

  8. It was good for me to come back to read and reread your poem. Betty is the antithesis of the yard tchotchkes in every way. It is probably “upright, present, … at one with her garden.” Her unpretentious (plainspoken, your word) manner evoking for me someone who has seen much, suffered some sadnesses (the recent passing of her husband) and is still able to take in the beauty around her. A salt of the earth quality. There is grace there, is there not? I see these qualities in my mother, too – an acceptance and serenity (and sadness, too) of what life brings.  

    Like

    1. Roseanne, wow. Thank you for your thoughtful explication here. You’ve given me feedback to read and reread. I’m so grateful. Your thoughts will reverberate and inform as I write new poems. You’ve got me musing anew about word selection, phrasing, and image-creating. Again—thank you, thank you!

      Like

  9. I can see her too! The early morning light. Patches of shadow under the trees, and behind bushes. I can hear the water flow. Morning in the garden, so delightful!

    Your medallions made me think of macaroons. Then I thought about what fun throw pillows they would make. Kandinsky on the couch!

    Thank you for this wonderful post, Dotty! Great catch! ;o)

    Like

    1. Sheila! Such specific welcome feedback re “Looking Out”! Your observations have me feeling like I’m drinking directly from Betty’s hose, nourished and stimulated as a newly re-engaged writer of poems. Thank you!

      Macaroons! Throw pillows! Love these alternative perceptions. Way fun!

      Your closing thought—great catch!—has me smiling : )

Thursday, July 17, 2025

Dotty Wassily Kandinsky, #2: Something Old, Something New / July 1, 2025

Dotty Wassily Kandinsky, #2: Something Old, Something New

Milky Way

The whisper

of my milk

in the night

is the shout

of wintermelt

spraying,

splashing

down a mountain.

Meg’s fine bone-china

jaw compresses, 

tiny tongue

tugs my breast.

Sweet and sure.

I feed her.

She fills me.

Her satin foot

dances upside down

on my cheek,

static sparking.

By this night light

I read

magazines

mothers’ journals

child development research

best-sellers.

We travel connected, 

swollen lips

to swollen breast,

on our milky way.

Page becomes chapter

night leapfrogs night

month gives way to year.

I see no end.

Then, 

she lifts 

a two-handled 

bone-china cup 

to her lips.

My breasts weep.

But Meg,

Meg marches on sturdy feet

climbs on my lap

offers me

chubby-board books

with her pudgy fingers.

“Read!” she says,

and I feed her 

on demand.

Chubby-board becomes picture story

easy-reader leads to chapter book

months give way to years.

Now, school papers

quilt Meg’s bed. 

Her legs are

three

and a half

miles

long,

end with painted

toenails.

Young breasts

swell.

She pushes aside

hairbrush

and homework,

finds a plastic-covered

library book,

gum wrapper holding our place.

“Read the next chapter?”

I give voice to

the unfolding story.

Meg massages

my day-heavy feet

with oils

and powders.

We drink

one from the other

still.

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Her Satin Foot Dances Upside Down on My Cheek, Static Sparking
8 x 8″; gouache, acrylic, pencil, and paint marker on paper
concentric circles and [implied] squares after Wassily Kandinsky
2025

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Notes About Poem and Painting:
• I wrote “Milky Way” when Meg was about eleven years old, 35-36 years ago. The story continues to unfold; we drink one from the other still.
• Her Satin Foot is the second of my Kandinsky-inspired art journal escapades created while at SisterFest25 just two weeks ago, mid-June.


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12 responses to “Dotty Wassily Kandinsky, #2: Something Old, Something New”

  1. What beautiful memories! Moments that fleet by without our watching painted with beautiful words. Read several times to really feel the effect. Have you given thought of publishing and illustrating your poems?

    Love your intricate circles, so much to learn from these color mixes!

    Liked by 1 person

    1. Carol, thank you for your thoughtful reflective comments/feedback here. I appreciate and delight in your reading “Milky Way” several times “to really feel the effect.”

      Thanks for your vote of confidence in asking if I’ve given thought to publishing and illustrating my poems. The answer: beyond publishing my poems here at my blog with accompanying art, no, not thus far!

      The Kandinsky concentric circles explorations have been captivating. I continue to play with them.

      Liked by 2 people

  2. What a marvelous aubade to motherhood, and how wonderful you still have this poem with you.

    1. p.s. thank you also for your use of the word aubade, which was unfamiliar to me and gave me new insights : )

      Like

  3. Simone, thank you for your feedback! I forget what specifically prompted me to write that poem when I did, and I don’t remember what might have led me to tie the whole piece together the way I did, but I am SO glad i put this core piece of being a mother-daughter dyad with Meg into writing.

    Just last week, before I posted the poem in my blog, Meg asked if I could have my signature pasta sauce recipe prepped for her lunches for this week while they are visiting and I told her I was sure I already had some in the freezer. I texted her a couple days later to tell her that I’d rustled up a huge vat of the sauce (in the middle of a heat wave!) for her when I discovered that in fact I did NOT have any in the freezer. I laughed at her return text: “Thank you so much for the sauce!!!!!! This is how you nurse your 46-year-old daughter!!!!!!”

    Liked by 1 person

  4. What a beautiful poem Dotty! Such a special relationship between mother and daughter…then and now! Lucky you!

    And Kandinsky #2 is just a delight! They look like summer!

    Like

  5. I sat still after reading your words. The imagery, the emotions. Joy beyond measure. Boundless love. I didn’t want to say goodbye to … all the feels.

    Your art is such a delightful treat! Easing me back into my day. Dancing colors. Joyful spinning. Makes me think of stunning Flamenco dancers circling in unison. ¡Olé!

    Love the idea of a Dotty Seiter book! xoxo

    Like

    1. Sheila, I’m sitting still myself now, savoring your tender feedback in response to “Milky Way.” Thank you. Revisiting this poem and posting it have brought up such sweet memories for me.

      And I love seeing my painting—those stunning Flamenco dancers circling in unison—through your eyes. ¡Si! ¡Olé!

      Like

  6. Dotty!! What a lovely place to rest my spirit on this day…your tender words, your cheery Kandinsky-inspired art…thank you!

    Like

    1. I’m finding this particular 4th of July to be a day that requires a place to rest my spirit. I’m glad my ‘tender words’ and ‘cheery Kandinsky-inspired art’ offered up rest for you, Lola ❤️

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  7. Dotty ~ how much do I love this poem. (Not a question really.) Again, so evocative and tender. I’m sure sons have a special place in their mother’s heart (I can’t know this) but it seems to me, mothers and daughters have unique bonds. If we’re lucky – and blessed. This I do know.
    And might I just say Kandinsky would be impressed and proud. These are beautiful. Might you frame them side by side for hanging? They’d be lovely.
    ♥️

    Like

    1. Roseanne, thank you for your thought-ful comments. I read them last night just before bed, on the eve of the departure of my family after a week of being together sharing the fullness of life. So many deep bonds, so much laughter, so much tenderness, so much so much : )

      I know you and Elena share a wonderful unique bond as a mother-daughter dyad, and I appreciate your letting me know my poem was “so evocative and tender” for you.

      And thank you for your fun suggestion that I might frame my Kandinsky-inspired pieces and hang them side by side. Hadn’t even considered that!