Showing posts with label freepainting. Show all posts
Showing posts with label freepainting. Show all posts

Friday, February 2, 2018

Repartée

Another day with a few minutes in my studio and further interaction with free canvas #3.

I set the canvas in front of me.

Give it time to speak to me in some way.

Several pockets of neutral make a little noise that catches my attention. Develop them a bit and, once I set paint and palette knife in motion, the conversation picks up for a short, rapid, playful back-and-forth that includes bright pops of oil pastels and bold marks from a black paint marker.

The canvas now sits on the landing at the top of the stairs near my studio. We exchange greetings in passing. Intermittentlythroughout the day I take in its color, composition, linework, and layers.

Will continue to do so till sometime next week.

free canvas #3
work in progress

Wednesday, January 31, 2018

Wildflowers in My Hair

1967. Babysitting. Canoe Brook Parkway, Summit, NJ.

What I don't remember:
• who the family was,
• who the kids were,
• how I knew them, or
• how I landed the babysitting job.


What I do remember:
• modern architecture and furnishings,
• 50¢ per hour,
• a stereo turntable, and
• Judy Collins's Wildflowers record album.

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Six or seven weeks ago, I sat in the Cabot Theater in Beverly, MA, as part of a full-to-capacity audience whose average age was roughly 67 and who may or may not have worn flowers in their hair and smoked a little weed during the "Summer of Love" in '67—all of us gathered fifty years down the road from the Summer of Love on a cold almost-winter night while Judy Collins offered up a transcendent concert that transported us with her timeless voice right back to our youth.

There is a whole lotta magic in this world.

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I dipped into a different then and now today. Picked up another one of the free canvases I acquired over the summer and started noodling with it.

Back in the then of last summer the canvas looked like this:

free canvas #3, as picked up from a neighbor's collection of pass-alongs

Now, I've performed just the littlest bit of black magic (ha ha!) by covering the whole surface with black interior semi-gloss enamel latex house paint and letting myself indulge in free play with various paints, brushes, texture sheets, crayons, and mark-making tools—roughing up this canvas for who knows what next.

Amusingly, the black background, with these colors on it, evokes strong sensory memories of the fabric of a sassy swishy dress I wore in 1967!

free canvas #3
18x24"
work in progress

Wednesday, December 13, 2017

Slapstick 12/13/17

Good grief, it's only 315p as I pop outdoors to catch a photo in natural daylight, and I have to ask, daylight? what daylight?

With my geometric series completed, I choose a fresh palette and start brand new today. I paint from a measure of raw uncomfortable inner dissonance that I carried into the studio with me. The dissonance doesn't sit well in my body, but it does open me to impulse and freeform painting—welcome gateways to both feeling the disequilibrium rather than running away and to expressing it.

Plus, I get a start on paper.

12x16" work in progress,
photographed indoors
work in progress after a second pass,
 photographed in waning winter daylight