Painting Connections

I wrote about this piece's partner maybe ten or more days ago, in a post about staying connected to other artists, especially those who "express interest in and resonate with what you are doing" and whose work lights you up.

This post is also about connections.

First, I love when paintings connect to each other—when they're siblings, sharing considerable DNA but also having distinct personalities and experiences. Such is the situation for today's painting and her born-first sister. They now live in different states, have their own lives to live, and often go whole days with nary a thought of each other. At heart, though, they are still connected.

Second, I love the connection I have to my experience of painting this piece. It evokes instantly a day that had dawned chilly, at 42 degrees, but became a gift of bright sunshine, radiant warmth, yellow leaves that drifted occasionally to the ground, cloudless blue skies, and crisp dry air. My internal weather was more of the same. Happy. I was in my happy place—adding touches of paint, sorting through my scraps box for backdrop papers on which to mount the painting, applying matte medium, tucking the emerging card repeatedly between carefully designed improvisational weights to let one layer after another adhere as I assembled.

Partying with Norman and Sebastian
2.5x3.5"; acrylic, ink, pencil, and pastels on postcard stock,
mounted on card stock and wallpaper sample
abstract
2017
[gift]

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Check out this awesome photo shoot that We Drink and Partying agreed to before their lives took them in differing directions.