October 17, 2025
Off the Mat
Just as Surely
as you move towards the exit door
preparing to leave market basket,
weekly groceries in your cart,
samhi, a worker you’ve seen before,
comes in from the windy outdoors
pushing in front of him
a dozen empty grocery carts,
each one nested into the one before it,
all of them together a train
powered by his strong arms, keen
eyes, and considerable experience—
no track, no radar, no lines
taped on the floor, no electronic
signaling system, just samhi
doing his job on a wednesday morning
in october, steering that train
straight and true right
into the waiting back end
of the last cart of the last train
he parked in the holding area
a short while ago.
he does not make a single
adjustment as he couples one train
to the other. samhi’s train
slips exquisitely into position.
as he turns to head outside
again for the next train,
he sees you raise both hands,
two thumbs up.
you look right at each other,
making eye contact
for just the briefest moment,
connecting fully
in simple joy and wonder
at a job well done,
both grinning.
just as surely as those trains of carts
connect, you two connect. just as surely,
you both move into the day
powered by the light of connection.
—dotty seiter
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3 x 3″; watercolor, ink, and watercolor pencil on paper
card #24 in a series of color swatches
2025
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Notes about poem and art:
• “Just as Surely” is a gift of attunement to paying attention and attunement to ‘homework’ from my yoga instructor. Victoria invited us recently to watch for ways our yin practice might show up off the mat. Yin poses are held for minutes instead of seconds to create a gentle, sustained stretch in deep tissues. The goal is to find an edge—an appropriate level of intensity with significant stretch but not pain. The principle of surrender is key, encouraging both release of resistance and stimulation of energy flow. My experience off the mat: I am in a wrestling match with a poem I’m trying to write. Oh!, I think, a chance to take yin off the mat. I sit for many minutes, find my edge with my infuriating struggle, surrender to my discomfort, eventually walk away, mostly at peace, no poem. The next morning an entirely different poem presents itself just begging to be written and just about writes itself.
• I caught the coneheads portrayed in Unseen Expectations while they were in late season transition—blossoms still sporting some scraggly pink petals but also sporting seeds and some leaves at a tipping point between green and rust-brown.
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