Maybe once I get more accustomed to painting this way, I'll see this part of the process as the point at which I bring together a robust advisory board to nurture and guide me.
I start with this piece.
First I play with the circles, after which I warm up the immediate surrounding space with quinacridone gold. Then I veil much of the painting to make it background.
Next I add bold and linear, and I amp up the focal space with more 'reddish' and 'yellowish.'
After that, I scribe some skinny black lines—some of which are 'straightish,' others 'roundish.'
Can't tell you the why of any of it, can't say where it's going, can't say if I like it at all.
Ever curious …
4 comments:
I imagined (before I looked at the subsequent ones) the first to be a landscape! Cool trees to the left of a cobblestone path. It turned into a totally different abstract ....steps heading to the train station. ALL ABOARD !!!
Oh my gosh, such fun for me to see what you see—thanks for taking the time to comment. And here we are again, getting ready to board the art express!
I see landscapes too Dotty. Google satellite views. A grove of trees. But the dark lines in the last view just brought it back to a wonderful abstract. Keep going, it is lovely so far!
Google satellite views! Who knew? Not me! Sheila, thanks for the running commentary and cheering : )
Post a Comment