My new trick I do on paintings that are turning out to be just mediocre is to do something bold, something unplanned, something irreverent, something that I do not know will work …
When we … nervously mov[e] away from what we know, into uncharted areas, we expose ourselves. When we allow ourselves to be seen even when we don’t know the answer, then and only then do things get interesting, not just for us but for everyone else as well.
OK, I've got mediocre in place.
|mediocre, inviting irreverent|