cadmium yellow medium
chromium oxide green
I carve time out of my schedule from negative space.
Then I jump into three different experiences in my studio:
First, I scrape autumn saltwater marsh colors across watercolor paper with a painting knife. Love the roughness and imprecision.
Then, I ink in some lines. Love their thinness, the hint of a landscape.
After that, with my brush, sky and water become the negative space that makes trees and land pop into possibility. Love the transformation.
I stop in medias res today.